Due to personal reasons, for the time being, I shall be celebrating Women in Horror Month online, discussing the work of the incredible women I have encountered over the years and looking to what the future looks like for women working in horror. Jennifer xo


Find me on social media @jennifersbodies on Twitter and Instagram.


"Jennifer’s Bodies is a roving annual festival of female-helmed horror movies and part of Women In Horror Recognition Month, an international assortment of affiliated events organised partly to highlight just how much women can and do contribute to the genre outwith the typically accepted factors of tits, ass and mezzosoprano screaming." Starburst Magazine

Wednesday, 20 January 2016

Jennifer's Bodies 2016 - Official Selection - Gina Lee Ronhovde's Boudoir Starring Deneen Melody and Dominique Swain!


It is with immense fucking pleasure that I bring to you the first short selection of Jennifer's Bodies 2016 - Gina Lee Ronhovde's gore~geously filmed headfuck that is Boudoir.  

Starring previous Jennifer's Bodies featured chickaroo Deneen Melody, as well as Dominique Swain; the award-winning Boudoir is most certainly a film that everyone needs to see!


At its core, this twisted little gem is pure psychological horror at its best.  This is a girl after my own heart when it comes to inspiration.  This is basically like if Chris Carter and David Lynch went all Junior on our asses and had a baby!!  Haha.  Even just watching the trailer I was thinking "FUCK...I NEED to screen this at Jennifer's Bodies!!".  


This film is stunning both on this inside....and out.  Throughout the film I kept thinking about how beautifully it was shot...and then it ended and I saw that Frozen's director of photography Will Barrett was the cinematographer.  It all just made perfect sense after that.  That boy is so fucking talented and has such a beautiful eye for detail.  

Boudoir on the inside could be interpreted in so many ways, but without wanting to give spoilers away, I guess the best way to describe it is as a film of self-acceptance.  For better or worse. :)


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